James Wan salutes Aquaman 2 trailer

 James Wan show respect to Quick and Irate with the family focal point of Aquaman 2 trailer

Aquaman is going back out to the ocean.

Warner Brothers. has shared the main full-length trailer for Aquaman and the Lost Realm, prodding the arrival of Jason Momoa's solid sea legend. The spin-off of 2018's Aquaman finds Arthur Curry wrestling with his obligations as the recently delegated ruler of Atlantis, while going head to head against a natural danger.

Recently, chief James Wan addressed a gathering of columnists for a, um, profound jump into the trailer, sharing insider facts and prodding a couple of new insights concerning Arthur's return. Very much like a past film he dealt with, this one is additionally about family. "I found out about family from Quick and Enraged," jokes Wan, who likewise coordinated 2015's Angry 7. "The family perspective in this film was vital for me, and you can have Vin [Diesel] to thank for that."

At the point when the film starts, Arthur has become a dad to a small kid, and he's shuffling life as a parent with his obligations as a submerged imperial. "A long time back, I was essentially jobless, a drifter with no house," Momoa's voiceover articulates over scenes of home life. "However, presently, I'm a spouse and a dad, and I wouldn't have it differently."

Be that as it may, his realm is before long undermined by the arrival of Dark Manta (Yahya Abdul-Mateen II), who's acquired a strong new weapon called the Dark Harpoon. To assist with overcoming Dark Manta, Arthur goes to his relative Orm (a totally jacked Patrick Wilson), who's hesitant to work with the sibling he recently attempted to oust. "I will kill Aquaman and obliterate all that he holds dear," Dark Manta announces. "I will kill his family and consume his realm to debris."

"He should be halted or worldwide implosion is inevitable," cautions Aquaman's superb sovereign mother Atlanna (Nicole Kidman), whom Wan portrays as an insightful political guide and the "right-hand to the ruler."

"We needed to incline toward the natural perspective with this film," Wan makes sense of the infringing fiasco. "We maintained that the subsequent film should in any case be fun, daring, and bright like the primary film, yet we needed to have somewhat more to say."